Image:  You forgot that spaghettis can swim, 2020, production image

Gallery 2: You forgot that spaghettis can swim

An installation from Goulburn’s young LGBTIQA+ community in collaboration with Sidney McMahon

15 may — 27 jun. 2020

Exhibiting under a pseudonym inspired by the semi-villainous anti-hero from their favourite cartoon, Creepy Little Lemon Kids are a posse of creative individuals. Working with McMahon over a series of workshops in early 2020, the collective delved deep into identity as they questioned notions of heteronormativity, gender, trust and inclusivity. Catalysed by music, games, costumes, stories and movement exercises within the Gallery, the resulting video works are documentations of performances designed and executed by Creepy Little Lemon Kids. Building on each individual’s strengths across worlds of dance, visual arts, music, theatre, Cosplay and design, the collective used a range of materials, personal belongings, significant colours, and movements that utilised the body without directly referencing the individual.

 

Image:  You forgot that spaghettis can swim, 2020, production image

Gallery 2: You forgot that spaghettis can swim

An installation from Goulburn’s young LGBTIQA+ community in collaboration with Sidney McMahon

15 may — 27 jun. 2020

Exhibiting under a pseudonym inspired by the semi-villainous anti-hero from their favourite cartoon, Creepy Little Lemon Kids are a posse of creative individuals. Working with McMahon over a series of workshops in early 2020, the collective delved deep into identity as they questioned notions of heteronormativity, gender, trust and inclusivity. Catalysed by music, games, costumes, stories and movement exercises within the Gallery, the resulting video works are documentations of performances designed and executed by Creepy Little Lemon Kids. Building on each individual’s strengths across worlds of dance, visual arts, music, theatre, Cosplay and design, the collective used a range of materials, personal belongings, significant colours, and movements that utilised the body without directly referencing the individual.