The Window

Curated by the Gallery Volunteers

6 dec. 2019 — 25 jan. 2020

Summer/Autumn sees the Window become part of our rolling exhibition program. The Window is dedicated to presenting works from the permanent collection and offers an ongoing insight into our holdings for the first time in our thirty seven year history. The Window is a space that can work with, against or beyond the exhibitions in our main galleries and will offer our community new opportunities to curate and critique our collection.

The first exhibition in 'The Window' was be curated by the Gallery Volunteers.

The Gallery volunteers selected these works for their edition of 'The Window'

Merrick Fry
Eroded Gully (fenced), 1975
Acrylic on board, 120 x 106.5cm
Donated by Visual Arts Board

Daphne Gooley
Hidden Fragments, 2009
Drypoint etching
43 x 33.5 cm

John Olsen
Morning
Etching
From the Summer at Owls Wood, 2003-2004 set of 10 etchings
45.5 x 53.5 cm
Donated through the Australian Government's Cultural Gifts program in 2008 by Max & Janie Miller.

The Window

Curated by the Gallery Volunteers

6 dec. 2019 — 25 jan. 2020

Summer/Autumn sees the Window become part of our rolling exhibition program. The Window is dedicated to presenting works from the permanent collection and offers an ongoing insight into our holdings for the first time in our thirty seven year history. The Window is a space that can work with, against or beyond the exhibitions in our main galleries and will offer our community new opportunities to curate and critique our collection.

The first exhibition in 'The Window' was be curated by the Gallery Volunteers.

The Gallery volunteers selected these works for their edition of 'The Window'

Merrick Fry
Eroded Gully (fenced), 1975
Acrylic on board, 120 x 106.5cm
Donated by Visual Arts Board

Daphne Gooley
Hidden Fragments, 2009
Drypoint etching
43 x 33.5 cm

John Olsen
Morning
Etching
From the Summer at Owls Wood, 2003-2004 set of 10 etchings
45.5 x 53.5 cm
Donated through the Australian Government's Cultural Gifts program in 2008 by Max & Janie Miller.