Gallery 2: Rosalind Lemoh
18 mar. — 29 apr. 2022

18 mar. — 29 apr. 2022
Gallery 2: Rosalind Lemoh
Image: Rosalind Lemoh, Certified Empty, 2021, (detail), Perspex, decommissioned ammunition boxes, 81cm x 120cm x 25 cm. Photograph: Damien Geary.
Image: Rosalind Lemoh, Certified Empty, 2021, (detail), Perspex, decommissioned ammunition boxes, 81cm x 120cm x 25 cm. Photograph: Damien Geary.
Gallery 2: Rosalind Lemoh
18 mar. — 29 apr. 2022
Gundaroo-based artist, Rosalind Lemoh, embraces a variety of techniques in her work including casting, assemblage, light and text. Lemoh’s practice involves making detailed silicone rubber moulds to replicate found objects in concrete, bronze and aluminium. The cast objects mimic details like wear and decay.
Lemoh’s work is informed by a range of influences including Arte de Povera, concrete poetry, natural history collections and memorials. Through her practice, the artist actively explores her identity as a female artist of colour working within an Australian context. The works in this exhibition seek to translate internal psychological spaces into sculptural forms.




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Installation view Gallery 2 Rosalind Lemoh, Petty Cash, 2021 and Certified Empty, 2021. Photograph: Silversalt Photography.
Installation view Gallery 2 Rosalind Lemoh, Certified Empty, (detail) 2021. Photograph: Silversalt Photography.
nstallation view Gallery 2 Rosalind Lemoh, Petty Cash,(detail) 2021 and Certified Empty, (detail) 2021. Photograph: Silversalt Photography.
Installation view Gallery 2 Rosalind Lemoh, Certified Empty, (detail) 2021. Photograph: Silversalt Photography.
Image: Rosalind Lemoh, Certified Empty, 2021, (detail), Perspex, decommissioned ammunition boxes, 81cm x 120cm x 25 cm. Photograph: Damien Geary.
Gallery 2: Rosalind Lemoh
18 mar. — 29 apr. 2022
Gundaroo-based artist, Rosalind Lemoh, embraces a variety of techniques in her work including casting, assemblage, light and text. Lemoh’s practice involves making detailed silicone rubber moulds to replicate found objects in concrete, bronze and aluminium. The cast objects mimic details like wear and decay.
Lemoh’s work is informed by a range of influences including Arte de Povera, concrete poetry, natural history collections and memorials. Through her practice, the artist actively explores her identity as a female artist of colour working within an Australian context. The works in this exhibition seek to translate internal psychological spaces into sculptural forms.




4
Installation view Gallery 2 Rosalind Lemoh, Petty Cash, 2021 and Certified Empty, 2021. Photograph: Silversalt Photography.
Installation view Gallery 2 Rosalind Lemoh, Certified Empty, (detail) 2021. Photograph: Silversalt Photography.
nstallation view Gallery 2 Rosalind Lemoh, Petty Cash,(detail) 2021 and Certified Empty, (detail) 2021. Photograph: Silversalt Photography.
Installation view Gallery 2 Rosalind Lemoh, Certified Empty, (detail) 2021. Photograph: Silversalt Photography.