Highlights from the Permanent Collection
Curated by Yvette Dal Pozzo
6 oct. — 18 nov. 2023
6 oct. — 18 nov. 2023
Highlights from the Permanent Collection
Image 1: 'Highlights of the Permanent Collection' in Gallery 3 featuring Anyupa Stevens, 'Ngura - Country', 2021, acrylic on Belgian linen, Purchased 2021; Janet Laurence, 'What Happens in Glass 1', 2008, Duraclear on mirror; Janet Laurence, 'What Happens in Glass 2', 2008, Duraclear on Mirror, both Donated through the Australian Government's Cultural Gifts Program by Janet Laurence; Serena Bonson, 'Warraburnburn', 2018, Cottonwood (Bombas Ceiba) with Ochre Pigment and PVA glue, Purchased 2020. Photograph: Silversalt Photography.
Curated by Yvette Dal Pozzo
Image 1: 'Highlights of the Permanent Collection' in Gallery 3 featuring Anyupa Stevens, 'Ngura - Country', 2021, acrylic on Belgian linen, Purchased 2021; Janet Laurence, 'What Happens in Glass 1', 2008, Duraclear on mirror; Janet Laurence, 'What Happens in Glass 2', 2008, Duraclear on Mirror, both Donated through the Australian Government's Cultural Gifts Program by Janet Laurence; Serena Bonson, 'Warraburnburn', 2018, Cottonwood (Bombas Ceiba) with Ochre Pigment and PVA glue, Purchased 2020. Photograph: Silversalt Photography.
Highlights from the Permanent Collection
Curated by Yvette Dal Pozzo
6 oct. — 18 nov. 2023
Welcome to our newest space - Gallery 3.
The inaugural exhibition is a selection of works from the Gallery's permanent collection curated by Director, Yvette Dal Pozzo. With works spanning sculpture, textiles, ceramics, painting and photography, the Gallery's collection is diverse and reflective of our unique locale. Bountiful in colour and alive with texture and line, the exhibition is a reflection on paths taken with previous exhibitions, local artists, and members of our community.
4
Installation view Highlights from the Permanent Collection featuring Teelah George, A Hard Capture, 2019, towel, oil paint, bronze, cotton twine; Sharon Adamson, Wanampi Tjukurpa, 2019, acrylic on linen, purchased 2019; Dionisia Salas, To Fall in Spring, 2022, Oil on Canvas; Anyupa Stevens, Ngura - Country, 2021, acrylic on Belgian Linen, purchased 2021; Janet Laurence, What Happens in Glass 1, 2008, Duraclear on mirror; Janet Laurence, What Happens in Glass 2, 2008, Duraclear on mirror; Serena Bonson, Warraburnburn, Cottonwood (Bombas Ceiba) with Ochre Pigment and PVA glue, purchased 2021. Photograph: Silversalt Photography.
Installation view Highlights from the Permanent Collection featuring Anyupa Stevens, Ngura - Country, 2021, acrylic on Belgian Linen, purchased 2021; Janet Laurence, What Happens in Glass 1, 2008, Duraclear on mirror; Janet Laurence, What Happens in Glass 2, 2008, Duraclear on mirror; Serena Bonson, Warraburnburn, Cottonwood (Bombas Ceiba) with Ochre Pigment and PVA glue, purchased 2021. Photograph: Silversalt Photography.
Installation view Highlights from the Permanent Collection featuring Harriet Body, A tree is a passage between earth and sky, 2021, eucalyptus-dyed embroidery thread on canvas, purchased 2021; Carlene Thompson, Tjulpu Putitja II, 2016 stoneware with sgraffito, purchased 2016; G. W. Bot, Resurrection Glyphs - Midday, 2009, Linocut on Korean Hanji paper A/P, Donated through the Australian Government's Cultural Gifts program in 2013 by Professor Alexander Grishin. Photograph: Silversalt Photography.
Installation view Highlights from the Permanent Collection featuring Harriet Body, A tree is a passage between earth and sky, 2021, eucalyptus-dyed embroidery thread on canvas, purchased 2021; Carlene Thompson, Tjulpu Putitja II, 2016 stoneware with sgraffito, purchased 2016; G. W. Bot, Resurrection Glyphs - Midday, 2009, Linocut on Korean Hanji paper A/P, Donated through the Australian Government's Cultural Gifts program in 2013 by Professor Alexander Grishin. Photograph: Silversalt Photography.
Image 1: 'Highlights of the Permanent Collection' in Gallery 3 featuring Anyupa Stevens, 'Ngura - Country', 2021, acrylic on Belgian linen, Purchased 2021; Janet Laurence, 'What Happens in Glass 1', 2008, Duraclear on mirror; Janet Laurence, 'What Happens in Glass 2', 2008, Duraclear on Mirror, both Donated through the Australian Government's Cultural Gifts Program by Janet Laurence; Serena Bonson, 'Warraburnburn', 2018, Cottonwood (Bombas Ceiba) with Ochre Pigment and PVA glue, Purchased 2020. Photograph: Silversalt Photography.
Highlights from the Permanent Collection
Curated by Yvette Dal Pozzo
6 oct. — 18 nov. 2023
Welcome to our newest space - Gallery 3.
The inaugural exhibition is a selection of works from the Gallery's permanent collection curated by Director, Yvette Dal Pozzo. With works spanning sculpture, textiles, ceramics, painting and photography, the Gallery's collection is diverse and reflective of our unique locale. Bountiful in colour and alive with texture and line, the exhibition is a reflection on paths taken with previous exhibitions, local artists, and members of our community.
4
Installation view Highlights from the Permanent Collection featuring Teelah George, A Hard Capture, 2019, towel, oil paint, bronze, cotton twine; Sharon Adamson, Wanampi Tjukurpa, 2019, acrylic on linen, purchased 2019; Dionisia Salas, To Fall in Spring, 2022, Oil on Canvas; Anyupa Stevens, Ngura - Country, 2021, acrylic on Belgian Linen, purchased 2021; Janet Laurence, What Happens in Glass 1, 2008, Duraclear on mirror; Janet Laurence, What Happens in Glass 2, 2008, Duraclear on mirror; Serena Bonson, Warraburnburn, Cottonwood (Bombas Ceiba) with Ochre Pigment and PVA glue, purchased 2021. Photograph: Silversalt Photography.
Installation view Highlights from the Permanent Collection featuring Anyupa Stevens, Ngura - Country, 2021, acrylic on Belgian Linen, purchased 2021; Janet Laurence, What Happens in Glass 1, 2008, Duraclear on mirror; Janet Laurence, What Happens in Glass 2, 2008, Duraclear on mirror; Serena Bonson, Warraburnburn, Cottonwood (Bombas Ceiba) with Ochre Pigment and PVA glue, purchased 2021. Photograph: Silversalt Photography.
Installation view Highlights from the Permanent Collection featuring Harriet Body, A tree is a passage between earth and sky, 2021, eucalyptus-dyed embroidery thread on canvas, purchased 2021; Carlene Thompson, Tjulpu Putitja II, 2016 stoneware with sgraffito, purchased 2016; G. W. Bot, Resurrection Glyphs - Midday, 2009, Linocut on Korean Hanji paper A/P, Donated through the Australian Government's Cultural Gifts program in 2013 by Professor Alexander Grishin. Photograph: Silversalt Photography.
Installation view Highlights from the Permanent Collection featuring Harriet Body, A tree is a passage between earth and sky, 2021, eucalyptus-dyed embroidery thread on canvas, purchased 2021; Carlene Thompson, Tjulpu Putitja II, 2016 stoneware with sgraffito, purchased 2016; G. W. Bot, Resurrection Glyphs - Midday, 2009, Linocut on Korean Hanji paper A/P, Donated through the Australian Government's Cultural Gifts program in 2013 by Professor Alexander Grishin. Photograph: Silversalt Photography.