All light, all air, all space
Curated by Yvette Dal Pozzo
1 jul. — 8 oct. 2022
All light, all air, all space
Curated by Yvette Dal Pozzo
1 jul. — 8 oct. 2022
Image: Rosalie Gascoigne, Loopholes, 1995, sawn plywood retro reflective road signs on composition board, collection Gascoigne family, image courtesy Martin Gascoigne © Rosalie Gascoigne/Copyright Agency, 2022
Image: Rosalie Gascoigne, Loopholes, 1995, sawn plywood retro reflective road signs on composition board, collection Gascoigne family, image courtesy Martin Gascoigne © Rosalie Gascoigne/Copyright Agency, 2022
All light, all air, all space
Curated by Yvette Dal Pozzo
1 jul. — 8 oct. 2022
Megan Cope, Bonita Ely, Rosalie Gascoigne, D Harding, Rebecca Mayo, Cameron Robbins
All light, all air, all space brings together works by leading artists from across the country who explore connections with the natural world. The exhibition title is drawn from a quote by Rosalie Gascoigne, who described the environment which inspired her practice as ‘All light, all air, all space, all understatement’. [1] Spanning installation, sculpture, performance and ephemeral art, the works reflect the diversity of light, landscapes and waterways in this country, with key works relating directly to the broader Goulburn Mulwaree region. The exhibition features works which utilise natural, found and recycled materials, some which invite participation or will undergo active metamorphosis throughout the course of the exhibition. In distinct and nuanced ways, the works in All light, all air, all space investigate our fragile and fraught dependence on the natural world and raise awareness of the current state of climate emergency.
[1] Rosalie Gascoigne, interview with Peter Ross, ABC, 1990.
17
Installation view All light, all air, all space featuring introductory text. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Cameron Robbins, Solar drawing instrumental, 2021. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Cameron Robbins, Solar drawing instrumental (detail), 2021. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Cameron Robbins, Solar drawing instrumental (detail), 2021. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Bonita Ely, Untitled, 2007, Untitled, 2007, Untitled, 2011, Manning Clark’s Brain (the Manning Clark family has a holiday house on the headland), 2007 each from the series Bithry Inlet 2007 – 2011; Bonita Ely, Life in a day, 2006 and Bonita Ely, The river’s edge, 1979. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Bonita Ely, Untitled, 2007, Untitled, 2007, Untitled, 2011, Manning Clark’s Brain (the Manning Clark family has a holiday house on the headland), 2007 each from the series Bithry Inlet 2007 – 2011; Bonita Ely, Life in a day, 2006, Bonita Ely, The river’s edge, 1979 and Rebecca Mayo, Bagged wetland, 2022. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Rebecca Mayo, Bagged wetland (detail), 2022. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Rebecca Mayo, Bagged wetland (detail), 2022 and D Harding, Bidjara, Ghungalu and Garingbal peoples, As I remember it (detail), 2018. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Megan Cope, Quandamooka people, Untitled (Extractions I), 2020. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Megan Cope, Quandamooka people, Untitled (Extractions I) (detail), 2020. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Megan Cope, Quandamooka people, Untitled (Extractions I) (detail), 2020. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring D Harding, Bidjara, Ghungalu and Garingbal peoples, As I remember it (detail), 2018 and D Harding, Bidjara, Ghungalu and Garingbal peoples, Moonda and the shame fella, 2018. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring D Harding, Bidjara, Ghungalu and Garingbal peoples, As I remember it, 2018 and D Harding, Bidjara, Ghungalu and Garingbal peoples, Moonda and the shame fella, 2018. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring D Harding, Bidjara, Ghungalu and Garingbal peoples, As I remember it (detail), 2018 and D Harding, Bidjara, Ghungalu and Garingbal peoples, Moonda and the shame fella, 2018. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Megan Cope, Quandamooka people, Untitled (Extractions I), 2020 and Rosalie Gascoigne, Loopholes, 1995, Rosalie Gascoigne, Night watch, 1980 and Plainsong, 1988. Courtesy Gascoigne Family. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Rosalie Gascoigne, Loopholes, 1995, Rosalie Gascoigne, Night watch, 1980 and Plainsong, 1988. Courtesy Gascoigne Family. Photograph: Silversalt Photography.
Image: Rosalie Gascoigne, Loopholes, 1995, sawn plywood retro reflective road signs on composition board, collection Gascoigne family, image courtesy Martin Gascoigne © Rosalie Gascoigne/Copyright Agency, 2022
All light, all air, all space
Curated by Yvette Dal Pozzo
1 jul. — 8 oct. 2022
Megan Cope, Bonita Ely, Rosalie Gascoigne, D Harding, Rebecca Mayo, Cameron Robbins
All light, all air, all space brings together works by leading artists from across the country who explore connections with the natural world. The exhibition title is drawn from a quote by Rosalie Gascoigne, who described the environment which inspired her practice as ‘All light, all air, all space, all understatement’. [1] Spanning installation, sculpture, performance and ephemeral art, the works reflect the diversity of light, landscapes and waterways in this country, with key works relating directly to the broader Goulburn Mulwaree region. The exhibition features works which utilise natural, found and recycled materials, some which invite participation or will undergo active metamorphosis throughout the course of the exhibition. In distinct and nuanced ways, the works in All light, all air, all space investigate our fragile and fraught dependence on the natural world and raise awareness of the current state of climate emergency.
[1] Rosalie Gascoigne, interview with Peter Ross, ABC, 1990.
17
Installation view All light, all air, all space featuring introductory text. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Cameron Robbins, Solar drawing instrumental, 2021. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Cameron Robbins, Solar drawing instrumental (detail), 2021. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Cameron Robbins, Solar drawing instrumental (detail), 2021. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Bonita Ely, Untitled, 2007, Untitled, 2007, Untitled, 2011, Manning Clark’s Brain (the Manning Clark family has a holiday house on the headland), 2007 each from the series Bithry Inlet 2007 – 2011; Bonita Ely, Life in a day, 2006 and Bonita Ely, The river’s edge, 1979. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Bonita Ely, Untitled, 2007, Untitled, 2007, Untitled, 2011, Manning Clark’s Brain (the Manning Clark family has a holiday house on the headland), 2007 each from the series Bithry Inlet 2007 – 2011; Bonita Ely, Life in a day, 2006, Bonita Ely, The river’s edge, 1979 and Rebecca Mayo, Bagged wetland, 2022. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Rebecca Mayo, Bagged wetland (detail), 2022. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Rebecca Mayo, Bagged wetland (detail), 2022 and D Harding, Bidjara, Ghungalu and Garingbal peoples, As I remember it (detail), 2018. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Megan Cope, Quandamooka people, Untitled (Extractions I), 2020. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Megan Cope, Quandamooka people, Untitled (Extractions I) (detail), 2020. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Megan Cope, Quandamooka people, Untitled (Extractions I) (detail), 2020. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring D Harding, Bidjara, Ghungalu and Garingbal peoples, As I remember it (detail), 2018 and D Harding, Bidjara, Ghungalu and Garingbal peoples, Moonda and the shame fella, 2018. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring D Harding, Bidjara, Ghungalu and Garingbal peoples, As I remember it, 2018 and D Harding, Bidjara, Ghungalu and Garingbal peoples, Moonda and the shame fella, 2018. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring D Harding, Bidjara, Ghungalu and Garingbal peoples, As I remember it (detail), 2018 and D Harding, Bidjara, Ghungalu and Garingbal peoples, Moonda and the shame fella, 2018. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Megan Cope, Quandamooka people, Untitled (Extractions I), 2020 and Rosalie Gascoigne, Loopholes, 1995, Rosalie Gascoigne, Night watch, 1980 and Plainsong, 1988. Courtesy Gascoigne Family. Photograph: Silversalt Photography.
Installation view All light, all air, all space featuring Rosalie Gascoigne, Loopholes, 1995, Rosalie Gascoigne, Night watch, 1980 and Plainsong, 1988. Courtesy Gascoigne Family. Photograph: Silversalt Photography.